From Bill:
Finally.
-Bill
Quick spins
02-13-98
re: 01-22-98
01-14-98
01-13-98
the
SOUL ASYLUM singer is joined by guitarist JESSY GREENE and RUN WESTY
RUN's KRAIG JOHNSON on bass. ''It's like old times,'' said Pirner.From "City Pages" March 4, 1998
by Kate Sullivan
BEG, BORROW, AND Steal: The Making of Crime and
Punishment : The Musical is the name of a new
"mockumentary" video born of the fresh young minds
at
Bedlam Theatre . A West Bank collective best known for
its outdoor happenings featuring macho puppets, Bedlam
has hit on a damn clever idea with this tape:
A
scrounging theater prostitutes itself to corporate and
foundation funders alike in order to produce its
"dream project," the above mentioned musical
embarrassment. The thespians start off clueless--says
one, "I heard there's a guy named Jerome, Jerome
McKnight . He gives out a lot of money"--but they
quickly learn their part in the arcane courtship dance
of arts granting. Product placement becomes key:
Raskolnikov is to kill the pawnbroker lady and
her
daughter with Top Flight golf clubs and subscribe
to
Guns and Ammo , which will be placed conspicuously on
a table.
Bedlam, a self-funded six-person collective,
didn't
expect their video to become a satire. Says
Bedlam's
Maren Ward , "Two years ago, we'd just finished
our
biggest show to date ( 100 Years of Pure Shit: A
Centennial Aberration of Ubu Roi ), and we decided we
should start trying to look into funding. We were also
trying to figure out what to do next, so we decided to
do a creative project about the process of funding. We
wrote our first grant to the Metropolitan
Regional
Arts Council (MRAC) for this, and we got it."
The film features earnest interviews from those early
days with development directors at Theatre de la Jeune
Lune and Penumbra; reps from MRAC and the
McKnight
Foundation; and a corral of low-budget artists,
including director Jay Scheib , director Erica Christ
, choreographer Myron Johnson , and many others.
Bedlam's cheeky editing produces a narrative
setting
in which everyone wears varying shades of idiocy
and
pathos. (The most surreal clips feature a chance
encounter with Dave Pirner outside Brit's Pub, in
which the unsuspecting rock star is hit up for
support: "Send me a script," he mumbles.)
In spite of amateurish production values, the tape is
hilarious, and its ultimate victims are
artists
themselves--at least those who operate with an
assumption of entitlement, or those who failed
to
agitate for the NEA when they had the chance.
The
opening epigram from playwright Suzan-Lori Parks says
it all: "Overweight Southern senators are easy
targets. They too easily become the focal point of all
evil, allowing the arts community to willfully ignore
our own bigotry, our own petty evils, our own
intolerance, which--evil senators or no--will be the
death of the arts."
at
the 9:00pm opening time. The place was crowded, but did not look sold out.
Dave's solo set was a good set, but I got the feeling Dave was uncomfortable
being alone on stage. Dave made comments before
"So Close" and "New York Blackout" that these are new
songs on the new Soul Asylum record.
Squirmin'
Karl Herman."...
Campbell
be in the group photo on the album? "That's a good question,"
Mueller said. "Maybe there won't be any of us on there. The focus has
been on getting this recorded." Soul Asylum has been working on its
third album for Sony for the past year. Work began earlier this year at
Pachyderm Studio in Cannon Falls, Minn., with producer Matt Hyde (Jane's
Addiction). The recordings were shelved but some of those songs were
re-recorded in Miami with Kimsey (Rolling Stones, Peter Frampton).
Meanwhile, lead singer Pirner has put together a side project called Oh
Jeez, featuring him on drums and vocals, Kraig Johnson of Run Westy Run on
bass and vocals and Jessy Green, formerly of Geraldine Fibbers, on guitar,
violin and vocals.
re-recorded
with six or seven new ones from Dave.
10-8-97

"Pirner, who spent Saturday night recording with Soul Asylum in Cannon
Falls, Minn., closed the first half of the three-hour concert. Onstage, he
said he was prepared to sing only Guthrie's "Pretty Boy Floyd,"
about the values of an outlaw. Since the concert organizer, Nora Guthrie,
Woody's daughter, insisted that Pirner do more, the Minnesotan explained
that from Woody Guthrie he learned the concept of storytelling in songs.
Pirner then sang "String of Pearls," a twisted and absurd tale of
Siamese twins who grew up to be president that had the sellout audience of
2,100 laughing heartily at each comic turn. With his acoustic guitar, Pirner
also offered "The Same Old Way"-- country-blues that truly evoked
Guthrie's music."
10-11-97
09-22-97
includes originals plus "Hope', "Sexual Healing" and "Summer Of Drugs"
mail to cagedrat@erols.com